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POST-PRODUCTION SPECIALIST

The Unseen Poster_7.3x11.jpg

THE UNSEEN

EDITING

  • Created online backup of original and proxy media (ProRes Proxy) on Google Drive for editor and other post-production departments

  • Assisted editor through linking proxy media

  • Connected finished timeline to local 5K and 6K media (Red RAW and Cinema DNG)

  • Translated editing terms to producers

COLOR

  • Delivered industry standard formats to colorist

  • Input color reels onto master timeline

  • Attended all color sessions and translated all Color Grade and Correction terms for producer

AUDIO

  • Created sound design for just over 50% of film

  • Work with composers on proper audio formats

  • Delivered audio via OMF or AAF file formats to audio post-house

  • Attended all audio sessions

  • Ensured both 5.1 Surround Sound and 2.0 Stereo mix at 48Khz 24bit were created and all channels delivered appropriate audio

  • Input final WAVE files onto master timeline

  • Created 5.1 audio timeline in Adobe Premiere and ensured all channels properly mapped to 5.1 speaker configuration

  • Created Stereo Submix for easy Stereo playback and exporting

FINAL DELIVERY

  • Ensured film was finished in Scope 4K

  • Created master files in following formats:

    • ProRes422HQ, 4096x1716, 5.1 channels​

    • ProRes422HQ, 4096x1716, Stereo Channels

    • Web MP4, 1920x810, Stereo Channels

    • Local MKV at 4096x1716, 5.1 channels

    • DCP at 2K & 4K for theater playback

VFX

  • Delivered industry standard formats to VFX freelancers and VFX houses

  • Ensured VFX team worked in DCI 4K resolution

  • Implemented VFX DPX  sequences onto master timeline

  • Served as liaison between producers and VFX staff.

HAPPILY MARRIED WOMAN

Happily Married Woman - V_7.5x11.jpg

EDITING

  • Created online backup of original and proxy media (ProRes Proxy) on Google Drive for editor and other post-production departments

  • Connected finished timeline to local 4K media R3D)

  • Translated editing terms to producers

COLOR

  • Delivered industry standard formats to colorist

  • Input color reels onto master timeline

  • Attended all color sessions and translated all Color Grade and Correction terms for producer

FINAL DELIVERY

  • Ensured pilot was finished in Scope 4K

  • Created master files in following formats:​

    • ProRes 4444, 4096x1728, Stereo Channels

    • Web MP4, 1920x810, Stereo Channels

AUDIO

  • Created all sound design in 2.0 Stereo format

Blackhatter Poster_small_7.3x11.jpg

BLACKHATTER

EDITING

  • Created online backup of original and proxy media (ProRes Proxy) on Google Drive for editor and other post-production departments

  • Connected finished timeline to local 4K media R3D)

  • Translated editing terms to producers

COLOR

  • Delivered industry standard formats to colorist

  • Input color reels onto master timeline

  • Attended all color sessions and translated all Color Grade and Correction terms for producer

FINAL DELIVERY

  • Ensured pilot was finished in DCI 4K

  • Created master files in following formats:

    • ProRes4444, 4096x2160, 5.1 channels​

    • ProRes 4444, 4096x2160, Stereo Channels

    • Web MP4, 1920x1080, Stereo Channels

    • Local MKV at 4096x2160, 5.1 channels

    • DCP at 2K for theater playback

AUDIO

  • Assisted in creating sound design

  • Work with composer on proper audio formats

  • Delivered audio via OMF or AAF file formats to audio post-house

  • Attended all audio sessions

  • Ensured both 5.1 Surround Sound and 2.0 Stereo mix at 48Khz 24bit were created and all channels delivered appropriate audio

  • Input final WAVE files onto master timeline

  • Created 5.1 audio timeline in Adobe Premiere and ensured all channels properly mapped to 5.1 speaker configuration

  • Created Stereo Submix for easy Stereo playback and exporting

Pictures Only_final.jpg

PICTURES ONLY

EDITING

  • Created online backup of original and proxy media (ProRes Proxy) on Google Drive for editor and other post-production departments

  • Connected finished timeline to local 4K media R3D)

  • Translated editing terms to producers

COLOR

  • Delivered industry standard formats to colorist

  • Input color reels onto master timeline

  • Attended all color sessions and translated all Color Grade and Correction terms for producer

FINAL DELIVERY

  • Ensured pilot was finished in DCI 4K

  • Created master files in following formats:​

    • ProRes 4444, 4096x2160, Stereo Channels

    • Web MP4, 1920x1080, Stereo Channels

    • Local MKV at 4096x2160, Stereo channels

AUDIO

  • Assisted in creating sound design

  • Work with composer on proper audio formats

  • Delivered audio via OMF or AAF file formats to audio post-house

  • Attended all audio sessions

  • Ensured 2.0 Stereo mix at 48Khz 24bit were created and all channels delivered appropriate audio

  • Input final WAVE files onto master timeline

Conrad Poster_7.5x11.jpg

CONRAD SERIES

EDITING

  • Created online backup of original and proxy media (ProRes Proxy) on Google Drive for editor and other post-production departments

  • Assisted editor through linking proxy media

  • Connected finished timeline to local 4K, 6K, and 8K media (of MOV, MXF, and R3D)

  • Translated editing terms to producers

COLOR

  • Delivered industry standard formats to colorist

  • Input color reels onto master timeline

  • Attended all color sessions and translated all Color Grade and Correction terms for producer

FINAL DELIVERY

  • Ensured pilot was finished in DCI 4K

  • Created master files in following formats:

    • ProRes4444, 4096x2160, 5.1 channels​

    • ProRes 4444, 4096x2160, Stereo Channels

    • Web MP4, 1920x1080, Stereo Channels

    • Local MKV at 4096x2160, 5.1 channels

    • DCP at 2K for theater playback

AUDIO

  • Assisted in creating sound design

  • Work with composer on proper audio formats

  • Delivered audio via OMF or AAF file formats to audio post-house

  • Attended all audio sessions

  • Ensured both 5.1 Surround Sound and 2.0 Stereo mix at 48Khz 24bit were created and all channels delivered appropriate audio

  • Input final WAVE files onto master timeline

  • Created 5.1 audio timeline in Adobe Premiere and ensured all channels properly mapped to 5.1 speaker configuration

  • Created Stereo Submix for easy Stereo playback and exporting

VFX

  • Delivered industry standard formats to VFX freelancers and VFX houses

  • Ensured VFX team worked in DCI 4K resolution

  • Implemented VFX DPX  sequences onto master timeline

  • Served as liaison between producers and VFX staff.

Poster 2 - small.jpg

THE NEST

EDITING

  • Assisted with Editing

  • Created online backup of original and proxy media (ProRes Proxy) on Google Drive for editor and other post-production departments

  • Assisted editor through linking proxy media

  • Connected finished timeline to local 2K media

  • Translated editing terms to producers

AUDIO

  • Assisted in creating sound design

  • Created final stereo audio mix

COLOR

  • Delivered industry standard formats to colorist

  • Input color reels onto master timeline

  • Attended all color sessions and translated all Color Grade and Correction terms for producer

FINAL DELIVERY

  • Ensured pilot was finished in 2K

  • Created master files in following formats:​

    • ProRes 4444, 2048x1080, Stereo Channels

    • Web MP4, 1920x1080, Stereo Channels

    • DCP at 2K for theater playback

Trespassers.jpg

TRESPASSERS

DUTIES

  • Performed all editing, sound design, sound mixing, and color work

ASP Poster.jpg

A SCHOOL PAPER

DUTIES

  • Performed all editing, sound design, sound mixing, and color work

  • Collaborated with international composer and ensured media was delivered in appropriate format

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